Instruments 1-by-1

This pillar is deliberately bare: one instrument, one room, no rain bed and no percussion. Harp, koto and kalimba use plucked-string synthesis; cello and shakuhachi use sustained oscillators with a slow attack. Because there is no noise layer, the filter ceiling is audible, and a seed at 980 Hz sounds noticeably darker than one at 2,200 Hz. Best at low volume, during focused work or a short practice session.

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